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The Finding Persephone Poetry Competition

Winning Poems

First Place

Cancer szn 

by Hannah Mettner


Second Place

My phone was a portal into the water 

by Maja Robertshawe


Third Place

The Pūmotomoto is a Soft Spot in the Skull 

by Aroha Matchitt-Millar


Runner Ups

Ngā wai e 

by Abby Hauraki


joan of arc i am speaking to you 

by Emma Norman


Teaching my child to stare wistfully at the 

ocean in inclement weather 

by Grace Shelley


Mum Earth 

by Neve Hopman


Yesterday 

by Belinda Diepenheim


Ham Picnic 

by Githara Gunawardena


Overwinter 

by Elliot Harley McKenzie


WHAT I’M THINKING ABOUT WHEN YOU 

ASK FOR MY PRONOUNS 

by Derrin Smith


HORSE_RUNNING_TOWARDS_OR_AWAY.gif 

by Lily Holloway


Hold your phone sideways to preserve each poem's formatting.

First Place

Cancer szn by Hannah Mettner

I’ve waited my whole life for someone to tell me I’m special, but not like this. Hearthside — the world on fire and I’m dying just like everyone else, except I’m dying faster. The surgeon spreads his hands and for a moment I think he wants me to take them, till he lifts them to my breasts. Free boob job, people say when I tell them, or free top surgery, depending on where they think I fall on that spectrum of butch to femme. I never thought I cared that much, but now I find myself obsessed with breasts — the susceptibility of them. Jennifer Ehle as Elizabeth Bennet, breathing so hard she might bust out of her dress. Marble Artemis at the Vatican, hung all about with boobs like little pouches. Agatha of Sicily, her breasts on a platter like a pair of panna cottas, the patron saint of desserts. At intermediate school, the cool girls said that you needed to punch yourself in the chest to encourage your breasts to grow. Nightly, in the scantly filled bath, winding my arm up like a cartoon. I’d fall back on the porcelain slope and dream of waking with perfect breasts. God, such a willingness to make violence against myself. And for what? Monstrous lights of the theatre — the spectacle of my body spread open. Pink inside like a gender reveal cake. Just the usual gore of girlhood, all grown up. For some reason, when I picture the surgeon’s hands inside me, I never picture a glove, nor his little knife. Instead, he reaches into the pouch of my breast to pinch out the bad coin, stealthy as a pickpocket. After, pink iodine glaze like a donut over the purple swirl of bruising from armpit to hip. I cannot raise my arms to wash my hair, but I can raise them enough to shield myself when I leave my bed. If I had to, I can raise them enough to throw a punch.

Second Place

My phone was a portal into the water by Maja Robertshawe

I used to send naked pictures

to men on my phone when I was fifteen.

I have a boyfriend now.

Want him to smack the shit out of me

like those videos you see online.

Those girls with the big dolly eyes,

looking up through the low frame rate.

A man from the internet

once told me that

he would fly all the way from Florida

to my backwater island.

Watching me kick my feet in the grass

drought-dry in the yard

behind my Dad’s house.

He said he could stop me from putting

my head under for too long,

and he’d always fish me out of the sea

when I drifted towards the rip.

He reeled me in

A big catch.

Overhead, I am just a dot in the ocean.

Helicopter above, catching my hair in the wind.

Third Place

The Pūmotomoto is a Soft Spot in the Skull by Aroha Matchitt-Millar

My mum has one

A red mole on the very top of her head

She said it got bigger after having kids

I like to imagine 

That Rangi kissed her head softly

Leaving some red lippie behind

As he passed his knowledge down the heke of our whare

Through my mother

Then through me

And down to Papa

I can see a small red mole on my scalp too

At the very top of my head

Where my mother used to kiss me

After putting on her red lippie

Runner Ups

Ngā wai e - Abby Hauraki

 

                        Mā Ngā wai hono i te pō 


                    Ko te Moana Nui a Kiwa tērā

                e tauhere ana i a tātou ki motu kē

              he wai whakatere, he wai whakapapa

                   he wai hono - pēnei i tō ingoa


                                 ko ō roimata 

         he tohu o te aroha o te tamahine ki tōna pāpā

                  he wai mokemoke e maringi nei, 

              e mōhio ai tātou ahakoa he ariki koe, 

                            he tangata hoki koe


                  mā runga i te tai e timu atu nei

   ka rere a Moana, a Tariana, a Iritana, a Tūheitia mā 

                  mā runga i te tai e pari mai nei

                          ka tatū tō waka ki uta 

                          ara mai rā he tētēkura


                           ko ngā au o Waikato

               he puna ora mō ō tūpuna, mō tō iwi

                         pēnei i a koe e rere nei 

                            i ngā au o Ōhanga

           he piko, he taniwha, he piko, he oranga e


              ko ngā tai o anamata e papaki mai nei

 kei te ihu o te waka, ko koe, ko tō iwi Māori hei tuarā mōu

                      Ko tō au, ko te au o Waikato

                     Ko tō arikitanga, he wai ariki

               Ko tō mana, manawa whenua ake nei.





joan of arc i am speaking to you by Emma Norman

never was clear on the difference              between cervix and cervical 

turns out          cervix is what he jams his fingers against and cervical

is for the needle                             staked in my meringue-warm skull  

i dream you come to me as lace curtain         holy tongue          embers 

humming occipital                         he flips a coin you know                                                    

some women are born on the butcher’s block                    serrated and 

raw                           what you do in the heat is yours alone                                          

back home the salt flats are smoking                        come season’s end

ripe with buccal fat          thorn-fed ongaonga leaf           i chew ginger             

                                                                              drip cerebral fluid 

                                                                    through

                                                            my  

                                              aching 

                                                                life                                        

my daughter’s butter ringlets                                   singing in the pan 

am i so greedy               for wanting to tuck her somewhere temperate

eggs in my cupboard are turning joan       black-spotted        shell-sick

when you said god built you for this                   how were you so sure                

marrow grows teeth       bone spurs           simmering in the cathedral 

of an unset table             do not join me without a mouthful                                           

he wants me good cripple                         patron saint of coal-fed girls    

i want             i want              i want             out of this burning house





Teaching my child to stare wistfully at the ocean in inclement weather by Grace Shelley

You never shiver. The sand crisps under the 

pram’s wheels and the wind has bared its 

teeth but I couldn't know that you’re cold 

except that I am. We crawled home 

from hospital through winter’s ligature, 

pitch of night, keen rain. And, in the months 

since, I have spent my body on yours. It must

be spring now. The shore is neither truncated 

by full tide nor yawning itself back out. Knowing 

our luck for life in general and weather in particular, 

I have prepared: stuffed in the basket 

under the pram are blanket and cardigan and 

socks and hat though getting you to keep a hat on 

is a battle I'm weary of losing. The wind bites, 

but the crouch to pick up your woollens is an 

arduous journey. I take off my jacket 

and tuck it around you. I’m sorry 

we haven’t come to the beach. It's a short walk, 

but while holding you inside, my muscles forgot 

how to hold me and they are only just learning. 

I have been tired. There is a hill. 

But we are here and the wind is cold around 

us and my jacket is warm around you. Fluorescent 

yellow sails dot the grey, and I turn you 

and click the brakes so you watch the ocean, 

the way you always watch the world: eyes wide, 

brow clear, arms forever stretching forward





Mum Earth by Neve Hopman

Our thighs are fractal

like the lines made by shells 

as the tide goes out

and mum, the skin around your eyes 

matches the sand dunes.

Carved by the wind and sun 

into crevices for me to crawl in.


My freckles are yours 

and you got them from the rocks in the river. 

Our lumps and ridges are the hills of Papatūānuku 

that my legs carry me over.


I once told you you had 

heels like a pumice stone. 

I meant it as an insult 

but now I have callouses that hold 

every place I’ve walked

and I don’t think that’s ugly anymore.


My body is the one you grew

and I’m learning to love it how I love 

the earth and you. 


Mum,

when you look in the mirror 

I hope you see a kauri tree

like the ones in Puketī,

like the one you see when you look at me. 





Yesterday by Belinda Diepenheim

Yesterday I drove into the sea with Sharon

in the passenger seat and her fox terriers

in the back. We were in my blue Mercedes.

She yelled, We’re not bloody Thelma and Louise!

She screamed, Help me get the dogs out!

She pushed me, Get out or you’ll drown!

She said, once we were standing on the sand,

What the hell is wrong with you?


I told her the day job was making me

question my own sanity because customers

came in and abused the staff. I told her

I’d learnt to grey rock them but my fleshy

heart was turning to stone.

I asked her if I looked old, tired, irrelevant

and she said, Well, if you put it like that

perhaps you need a holiday.


I apologised about the dogs, I could see

they were shivering and she said her husband

was on his way with towels. 

She was one of the few people I knew

who hadn’t got divorced.

She asked me what I was going to do

about the 1980 Honda Civic.

You mean the Mercedes?

And she laughed and said, I think

You have too many houses in Aquarius.

I told her that was all shite, that 


I didn’t believe in anything anymore.

Maybe it’s the war in Iran

or the price of oil that’s getting to you?

I had to disagree, It’s the price of Whittaker’s.

The thing is, and we both know it, that 

no matter what’s going on out there 

it’s getting easier not to care.

Life’s all about our pets and not our kids.

It’s the videos and programmes

about making an orange polenta cake

or the knowledge that Eleanor of Aquitaine

may not have invented courtly love


that litters our conversations

because all the rest is too hard,

too military, 

too man-made.


I told Sharon as we walked

to the car that I used to be 

soft on the inside and firm

on the outside and this is why I had

attracted lovers, but now I was 

Rocky terrain on the inside/ 

Blancmange on the outside, 

Unworthy of the male gaze. 


There’s a hell 

of a lot of freedom in that, she said

and I knew then that we were

fine, we just needed a hot

drink and a sandwich

while we waited

for the kindling to light

and give us 2160 years

of matriarchal heat.





Ham Picnic by Githara Gunawardena

The Western girls eat picnics on TV, kneeling on the red, checked cloth 

in white pinafores, feeding amorphous teddies from tiny pink teacups.


I ask Ammi for ham- appropriately American but forbidden in our household 

since 2002, when they made the vow at the temple for her safe pregnancy- but


she tells me I can’t “eat it raw”, and to take it outside quickly. My ham, now 

a few un-American discs, crisped edges from the coconut oil, my old Graduation Barbie


and I, under the bougainvilleas. On Seeya’s palm frond “praying mat”, peeling off 

small chunks of the meat, tapping them against Barbie’s PVC lips,


I make a secret prayer to the dying sun. Creativity wouldn’t stretch the lengths 

of the amla- scented locks on the girls at school, wouldn’t peel the skin from me.


Sweet. Too round. Mangoosteen girl. Dark all over, from the 5 AM chlorine. Never

measuring up to Graduation Barbie, her new lip gloss, flecked with pink, fried ham,


and her endless resourcefulness in the face of the economy’s plummeting health; or 

to the boys, who never fear the blade and scissors, the naked ache about the shoulders.

 

Futile, the bowl-cut. I’d get the lice anyway. Crush the eggs in between my nails-Ammi 

comes walking, barefoot, across the uncut grass with a handkerchief drenched in


4711. We left Barbie out in the rain that day, smiling anyway under the bougainvilleas,

and the crows took home the ham, to feed their ugly babies. 





Overwinter by Elliot Harley McKenzie

Sweet-meaning friends say they don't understand the application of she. He says I'm giving boy. She says I'm giving they. To me, she is inextricable. Because I am a good boywife, I cook breakfast for you. I make your coffee and forget the sugar, stack the dishwasher and send it for a spin. After all, I am so dutiful. Mired in my own possessions, yarn spools from my every surface. You say you haven't always liked being a girl as we cuddle under Nana's kitschy-to-the-max quilt. When I wake, you are there in the space between me and my windowsill, where a person-shaped lump of clean laundry used to lie. You touch the impression of bedsheets on my cheek. I try to wrap myself around the fact that you will be gone before the southern-hemisphere winter begins. The following week, I phone you while you wait for your ferry south. You watch a man washing dishes through your binoculars. We laugh at the wrongness of it. I call you a voyeur, a peeping tom. I can taste the apart-ness that will be ours come May. You strum your guitar and sing: I've got something to tell you, something so important to tell you…





WHAT I’M THINKING ABOUT WHEN YOU ASK FOR MY PRONOUNS by Derrin Smith

You should take me out back to the barley field 

and fuck me until I can’t forget there was a softer time

                          back when the days were fire quick,

                          it was soda chased by lime.


angels would loiter ‘bout in the back garden

                         to catch pockets of that windchime laugh

                         and the sunshine falling from the palm 

                                                   where it pressed flush into hers.


             shake their heads a little, amused, when we picked up cigarette stubs

                         pretending there was something classy

                         to the dusty scraped knees

                                       and red apple cheeks.


she looked a better, easier version of me

                                                                and felt it too

as we swung ourselves to the edge of what a hometown could be:


bramble and creek, thickets of wet sand

                                                               and of hot    crackling concrete,


tic tac toe smeared onto faded pavement

with oil poured off the cheap Wednesday pizza deal.

                         girlhood scraped itself through 

                         week by week just like this


We clumped together against the swelling of age

                         as it swept up; grabbing at our thighs, nipping

                         at elbows, and sparkling in that thin divide

                                                                 separating your mouth   from mine 


the ease to love what I had begun to hate about her

                                                  as long as it lived in some other body.

what was that weird gulf between summer and autumn for, if not:


melting off whatever troublesome persona

                                                              I’d bit my way into this time, or



beating back the sky as it bore on down

through heat and atmosphere, cradling the body too close

                         cotton scratching at the collar bone,

                                       and hands too, clammy and now calloused.


sweat soaked straight through fabric while she braved the river bank,

                         sprinted and slid and slung her body up into cloud

                         and brutally back down                again and again into gentle water


I gripped the moment hard, wildly aware of how much 

                                                                           I’d become last spring.

stuck now in some shirt, or else in the tall barley grass,


only one or two toes dipping into the current as it stripped its way past

                                                                                                   free and so fucking cool


considering what it might be like to not have something built in  

                                                                                             that clings to the skin.



HORSE_RUNNING_TOWARDS_OR_AWAY.gif by Lily Holloway

Meet The Judges

Hera Lindsay Bird

Hera Lindsay Bird

Hera Lindsay Bird

Hera Bird is a writer and school librarian from Dunedin. She has two books of poetry, a self-titled collection 'Hera Lindsay Bird' published in 2016 with Te Herenga Waka University Press, Penguin UK & Deep Vellum Press US (US title 'Juvenilia') and 'Pamper Me To Hell & Back' published with The Poetry Business in 2018. She was the 2011 Ada

Hera Bird is a writer and school librarian from Dunedin. She has two books of poetry, a self-titled collection 'Hera Lindsay Bird' published in 2016 with Te Herenga Waka University Press, Penguin UK & Deep Vellum Press US (US title 'Juvenilia') and 'Pamper Me To Hell & Back' published with The Poetry Business in 2018. She was the 2011 Adam Prize Winner, and the 2019 editor of Best NZ Poems. She writes an advice column for The Spinoff & is working on a fantasy novel for children. 

Tayi Tibble

Hera Lindsay Bird

Hera Lindsay Bird

Tayi Tibble is an internationally published, award-winning poet and writer from Te Whanganui a Tara, Aotearoa. She descends from the tribes Te Whanau a Apanui and Ngati Porou. She is the author of two poetry collections Poukahangatus and Rangikura published by Te Herenga Waka University Press (NZ), Knopf (US) and Penguin (UK). Her work ha

Tayi Tibble is an internationally published, award-winning poet and writer from Te Whanganui a Tara, Aotearoa. She descends from the tribes Te Whanau a Apanui and Ngati Porou. She is the author of two poetry collections Poukahangatus and Rangikura published by Te Herenga Waka University Press (NZ), Knopf (US) and Penguin (UK). Her work has won various awards including an Ockham for best first book, a Voyager Media Award, the Adam Foundation Prize and The Poetry Foundation’s Bess Hosking Prize. She was the first Maori writer to be published in The New Yorker. Her work has been featured in publications such as The New York Times, Poetry Magazine, Granta, Alta, Dazed, Interview, The Atlantic, and The Nation. In 2025, she was a resident of the International Writing Programme at The University of Iowa.

Cadence Chung

Hera Lindsay Bird

Cadence Chung

Cadence Chung is a poet, mezzo-soprano, and composer, currently one of the resident artists at Te Pae Kōkako - The Aotearoa New Zealand Opera Studio. She has released three books: anomalia (Tender Press, 2022), Mythos: an Audio-Visual Anthology of Art by Young New Zealanders, (ed.) (Wai-te-Ata Press, 2024), and Mad Diva (Otago University 

Cadence Chung is a poet, mezzo-soprano, and composer, currently one of the resident artists at Te Pae Kōkako - The Aotearoa New Zealand Opera Studio. She has released three books: anomalia (Tender Press, 2022), Mythos: an Audio-Visual Anthology of Art by Young New Zealanders, (ed.) (Wai-te-Ata Press, 2024), and Mad Diva (Otago University Press, 2025). She also edits Symposia Magazine and the New Zealand Poetry Society's quarterly magazine, a fine line.

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